movies

Recent Horror-Romances like ‘Frankenstein’ Suggest That Women Yearn for a Monster Gentleman, Not a Gentleman Who’s a Monster

Jesse Kessenheimer

The Music Biopic is a Genre That Will Never Fully Work

Ben Weiss

Emma Stone’s 'Bugonia': How an All-Bald Screening Became the Gimmick This Film Needed

Ben Weiss

The Rise and Stagnation of Prestige Horror Movies

Ben Weiss

‘One Battle After Another’ is Finally a Movie We Can All Agree On

Ben Weiss

Hollywood Keeps Tainting Cinematic Classics: How About Remaking the Underrated Films That Got Cheated with Bad Production?

Jesse Kessenheimer

‘Jacob Elordi… Again?’: Hollywood’s fear of hiring unknown actors is ruining the art of filmmaking

Lana DeGaetano

We Should Be Holding More Space Before ‘Wicked: For Good’

Ben Weiss

Dwayne ‘The Rock’ Johnson is Coming for the Oscars, Thanks to Brendan Fraser’s Campaign Three Years Ago

Ben Weiss

‘Freakier Friday’ Proves that ‘Happy Gilmore 2’ Should Have Been in Theaters

Ben Weiss

‘It’s a Great Time to be Jamie Lee Curtis’: How the Star of ‘Freakier Friday’ Pivoted From Scream Queen Nepo Baby to Awards Magnet

Ben Weiss

Ari Aster’s ‘Eddington’ Signifies a New Horror Genre Reliant on Uncomfortable Realism

Lana DeGaetano

What Will Happen When Disney Runs Out of Movies to Remake?

Remy Millisky

We Need to Stop Relying on ‘Boomer Bait’ to Save the Movie Theater Box Office

Ben Weiss

‘Cash Grab or Comeback?’: Why actors should retire rather than exploit their nostalgia-fame

Bar Mor Hazut

Why Dakota Johnson’s ‘Elevated’ Rom Com, ‘Materialists,’ Isn’t Actually That Deep

Ben Weiss