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‘Wicked: For Good’ is Proof of Why We Need More Film Adaptations of Broadway Musicals

‘Wicked: For Good’ is Proof of Why We Need More Film Adaptations of Broadway Musicals

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‘Wicked: For Good’ Is a Movie Musical with an Identity Crisis and It’s Definitely Not Defying Gravity Likes Its Predecessor

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Streaming Platforms are Egregiously Ignoring the Unspoken Rules and Etiquette of TV Advertising’s Past

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Movies in 2025 Have Been All About Rebellious Mothers and Regretful Fathers

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Recent Horror-Romances like ‘Frankenstein’ Suggest That Women Yearn for a Monster Gentleman, Not a Gentleman Who’s a Monster

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The Music Biopic is a Genre That Will Never Fully Work

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Emma Stone’s 'Bugonia': How an All-Bald Screening Became the Gimmick This Film Needed

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The Rise and Stagnation of Prestige Horror Movies

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‘One Battle After Another’ is Finally a Movie We Can All Agree On

‘One Battle After Another’ is Finally a Movie We Can All Agree On

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Hollywood Keeps Tainting Cinematic Classics: How About Remaking the Underrated Films That Got Cheated with Bad Production?

‘Jacob Elordi… Again?’: Hollywood’s fear of hiring unknown actors is ruining the art of filmmaking

‘Jacob Elordi… Again?’: Hollywood’s fear of hiring unknown actors is ruining the art of filmmaking

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We Should Be Holding More Space Before ‘Wicked: For Good’

We Should Be Holding More Space Before ‘Wicked: For Good’

Dwayne ‘The Rock’ Johnson is Coming for the Oscars, Thanks to Brendan Fraser’s Campaign Three Years Ago

Dwayne ‘The Rock’ Johnson is Coming for the Oscars, Thanks to Brendan Fraser’s Campaign Three Years Ago

‘Freakier Friday’ Proves that ‘Happy Gilmore 2’ Should Have Been in Theaters

‘Freakier Friday’ Proves that ‘Happy Gilmore 2’ Should Have Been in Theaters

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‘It’s a Great Time to be Jamie Lee Curtis’: How the Star of ‘Freakier Friday’ Pivoted From Scream Queen Nepo-Baby to Awards Magnet

‘It’s a Great Time to be Jamie Lee Curtis’: How the Star of ‘Freakier Friday’ Pivoted From Scream Queen Nepo Baby to Awards Magnet

Ari Aster’s ‘Eddington’ Signifies a New Horror Genre Reliant on Uncomfortable Realism

Ari Aster’s ‘Eddington’ Signifies a New Horror Genre Reliant on Uncomfortable Realism

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