Movies and TV

Why Dakota Johnson’s ‘Elevated’ Rom Com, ‘Materialists,’ Isn’t Actually That Deep

Ben Weiss

Why I refuse to give stars for movies on Letterboxd

JR Atkinson

The Hypocrisy in Selective Hate for Nepo Babies Needs to Stop—Pick a Side

Lana DeGaetano

‘Remember when Tom Cruise used to act?’: Tom Cruise Is Still a Movie Star. He Used to Be an Actor Too.

Ben Weiss

The Art of a Good Finale: The Ending of ‘The Rehearsal’ Takes Flight while the Ending of ‘The Handmaid’s Tale’ Crashes

Ben Weiss

Let’s Stop Timing Standing Ovations at Film Festivals, They Do Not Matter!

Ben Weiss

Nathan Fielder’s Little White Lies: Unpacking the Ethics of “The Rehearsal”

Ben Weiss

‘Shipping’ Turns Fandoms Toxic: Why Creating Fake Romantic Narratives Around Celebrities Is NOT Okay

Bar Mor Hazut

How to Adapt a Video Game for Film & TV: Either Be Deeply Unserious like ‘Minecraft’ or Deeply Serious like ‘The Last of Us’

Ben Weiss

Yes Spoilers: Why you shouldn’t have to wait for that one friend to catch up on ‘Severance’ and ‘The White Lotus’

Ben Weiss

‘Absolute Pure Cinema’: Why the ‘Thunderbolts*’ marketing strategy is to steal indie movie studio, A24’s, Thunder(bolt)

Ben Weiss

Movies Aren’t Too Long, You Just Have No Attention Span

Emmy Pratt

The Silver Lining of the Live-Action ‘Snow White:’ Proof Disney Needs to Stop Changing Beloved Childhood Classics

Bar Mor Hazut

Post-Oscars Analysis: Hollywood and the Academy are No Longer One and the Same

Ben Weiss

Why Discourse on the Film App ‘Letterboxd’ Epitomizes the High Scrutiny All Social Media Users are Under

Emmy Pratt

‘The DiCaprio Effect’: Why Timothée Chalamet’s heartthrob status lost him the Oscar win

Lana DeGaetano