Movies and TV

Let’s Stop Timing Standing Ovations at Film Festivals, They Do Not Matter!

Ben Weiss

Nathan Fielder’s Little White Lies: Unpacking the Ethics of “The Rehearsal”

Ben Weiss

‘Shipping’ Turns Fandoms Toxic: Why Creating Fake Romantic Narratives Around Celebrities Is NOT Okay

Bar Mor Hazut

How to Adapt a Video Game for Film & TV: Either Be Deeply Unserious like ‘Minecraft’ or Deeply Serious like ‘The Last of Us’

Ben Weiss

Yes Spoilers: Why you shouldn’t have to wait for that one friend to catch up on ‘Severance’ and ‘The White Lotus’

Ben Weiss

‘Absolute Pure Cinema’: Why the ‘Thunderbolts*’ marketing strategy is to steal indie movie studio, A24’s, Thunder(bolt)

Ben Weiss

Movies Aren’t Too Long, You Just Have No Attention Span

Emmy Pratt

The Silver Lining of the Live-Action ‘Snow White:’ Proof Disney Needs to Stop Changing Beloved Childhood Classics

Bar Mor Hazut

Post-Oscars Analysis: Hollywood and the Academy are No Longer One and the Same

Ben Weiss

Why Discourse on the Film App ‘Letterboxd’ Epitomizes the High Scrutiny All Social Media Users are Under

Emmy Pratt

‘The DiCaprio Effect’: Why Timothée Chalamet’s heartthrob status lost him the Oscar win

Lana DeGaetano

'And the Oscar Should Have Gone to…': Why ‘Better Man’ was the Best Movie Musical & Biopic of 2024

Ben Weiss

‘Attention spans [are] officially broken’: Netflix is dumbing down their content so you can keep scrolling

Jesse Kessenheimer

‘Bring creativity back to the MCU’: The lessons learned from ‘Captain America’s’ nearly 70% drop at the box office

Ben Weiss

‘Bring back physical media': What the Film & TV industry can learn from the rise in vinyl sales

Ben Weiss

‘Everyone likes an enemy’: Does “Emilia Pérez” deserve to be this year’s awards season villain?

Ben Weiss