TV

Seeing the Internet Through ‘Fandom-Colored Glasses’ Will Cure Your Mindless Doomscrooling

Bar Mor Hazut

‘Everyone is watching’: Why More Streaming Platforms Should Meme-Fy Their Marketing

Bar Mor Hazut

‘Female Rage’ Isn’t New, You Just Weren’t Paying Attention

Lana DeGaetano

It’s ‘Glee’ All Over Again: How Aging Teenagers Became the Real Villains of ‘Stranger Things’ Season 5

Ben Weiss

Streaming Platforms are Egregiously Ignoring the Unspoken Rules and Etiquette of TV Advertising’s Past

Jesse Kessenheimer

Today’s Most Bingeable Shows Would’ve Never Survived the Week-to-Week Broadcast Model of the ‘90s

Jesse Kessenheimer

Why Underserved Actresses Deserve Better Than Ryan Murphy Shows

Ben Weiss

Hollywood Keeps Tainting Cinematic Classics: How About Remaking the Underrated Films That Got Cheated with Bad Production?

Jesse Kessenheimer

Young-Adult-Book-to-Rom-Com-TV-Series ‘The Summer I Turned Pretty’ Helps Women of All Ages Connect

Lana DeGaetano

‘Cash Grab or Comeback?’: Why actors should retire rather than exploit their nostalgia-fame

Bar Mor Hazut

How Reality TV Becomes Dangerous and Creates Unsafe Dramatics That Turn Into Real Crises

Lana DeGaetano

The Art of a Good Finale: The Ending of ‘The Rehearsal’ Takes Flight while the Ending of ‘The Handmaid’s Tale’ Crashes

Ben Weiss

Nathan Fielder’s Little White Lies: Unpacking the Ethics of “The Rehearsal”

Ben Weiss

Why Writing Off Characters Early in the Season Almost Always Makes for Great Television

Ben Weiss

‘Shipping’ Turns Fandoms Toxic: Why Creating Fake Romantic Narratives Around Celebrities Is NOT Okay

Bar Mor Hazut

True Crime Lullaby: Women’s Seemingly Bizarre Love Affair With True Crime and Why Dark Documentaries Entice Female Nature

Briana Viser