From the Movies

Movies in 2025 Have Been All About Rebellious Mothers and Regretful Fathers

Ben Weiss

‘Jacob Elordi… Again?’: Hollywood’s fear of hiring unknown actors is ruining the art of filmmaking

Lana DeGaetano

Dwayne ‘The Rock’ Johnson is Coming for the Oscars, Thanks to Brendan Fraser’s Campaign Three Years Ago

Ben Weiss

‘Freakier Friday’ Proves that ‘Happy Gilmore 2’ Should Have Been in Theaters

Ben Weiss

‘It’s a Great Time to be Jamie Lee Curtis’: How the Star of ‘Freakier Friday’ Pivoted From Scream Queen Nepo Baby to Awards Magnet

Ben Weiss

Ari Aster’s ‘Eddington’ Signifies a New Horror Genre Reliant on Uncomfortable Realism

Lana DeGaetano

We Need to Stop Relying on ‘Boomer Bait’ to Save the Movie Theater Box Office

Ben Weiss

Why Dakota Johnson’s ‘Elevated’ Rom Com, ‘Materialists,’ Isn’t Actually That Deep

Ben Weiss

Why I refuse to give stars for movies on Letterboxd

JR Atkinson

‘Remember when Tom Cruise used to act?’: Tom Cruise Is Still a Movie Star. He Used to Be an Actor Too.

Ben Weiss

Let’s Stop Timing Standing Ovations at Film Festivals, They Do Not Matter!

Ben Weiss

How to Adapt a Video Game for Film & TV: Either Be Deeply Unserious like ‘Minecraft’ or Deeply Serious like ‘The Last of Us’

Ben Weiss

‘Absolute Pure Cinema’: Why the ‘Thunderbolts*’ marketing strategy is to steal indie movie studio, A24’s, Thunder(bolt)

Ben Weiss

Post-Oscars Analysis: Hollywood and the Academy are No Longer One and the Same

Ben Weiss

‘The DiCaprio Effect’: Why Timothée Chalamet’s heartthrob status lost him the Oscar win

Lana DeGaetano

‘Bring creativity back to the MCU’: The lessons learned from ‘Captain America’s’ nearly 70% drop at the box office

Ben Weiss