From the Movies

We Need to Stop Relying on ‘Boomer Bait’ to Save the Movie Theater Box Office

Ben Weiss

Why Dakota Johnson’s ‘Elevated’ Rom Com, ‘Materialists,’ Isn’t Actually That Deep

Ben Weiss

Why I refuse to give stars for movies on Letterboxd

JR Atkinson

‘Remember when Tom Cruise used to act?’: Tom Cruise Is Still a Movie Star. He Used to Be an Actor Too.

Ben Weiss

Let’s Stop Timing Standing Ovations at Film Festivals, They Do Not Matter!

Ben Weiss

How to Adapt a Video Game for Film & TV: Either Be Deeply Unserious like ‘Minecraft’ or Deeply Serious like ‘The Last of Us’

Ben Weiss

‘Absolute Pure Cinema’: Why the ‘Thunderbolts*’ marketing strategy is to steal indie movie studio, A24’s, Thunder(bolt)

Ben Weiss

Post-Oscars Analysis: Hollywood and the Academy are No Longer One and the Same

Ben Weiss

‘The DiCaprio Effect’: Why Timothée Chalamet’s heartthrob status lost him the Oscar win

Lana DeGaetano

‘Bring creativity back to the MCU’: The lessons learned from ‘Captain America’s’ nearly 70% drop at the box office

Ben Weiss

‘Bring back physical media': What the Film & TV industry can learn from the rise in vinyl sales

Ben Weiss

‘He's running for Gen Z president': Timothée Chalamet’s expert understanding of the internet has cemented him as Gen Z’s quintessential movie star

JR Atkinson

'I've been doing this for 45 years': Demi Moore's conventional awards campaign for her unconventional movie

Ben Weiss

Robert Eggers’ ‘Nosferatu’ forces men AND women to wonder why they fall for the bad boy

Lana DeGaetano

‘Love it or hate it, this is boundary-pushing’: Francis Ford Coppola’s "Megalopolis" is too out-of-touch to be ahead of its time

Ben Weiss